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This study aims to investigate profoundly the protection of oil painting from deterioration using molybdenum trisulphide quantum dots (MoS3 QDs) against microbe, dirt accumulation and ultraviolet (UV) degradation.

The protection of painting against different deterioration factors necessitates the sustainable methods and advanced techniques. Scanning electron microscopy and transmission electron microscopy have been used to investigate the morphological structure of the painting and MoS3 QDs, respectively, and optical microscopy was used to examine antibacterial activity of MoS3 QDs towards different types of bacteria. To investigate the protection of painting against deterioration, the Fourier transform IR spectroscopy (FTIR) was used to investigate the paintings left in open air for a year. Chemical composition and crystal structure of MoS3 QDs have been studied using X-ray diffraction and X-ray photoelectron spectroscopy analysis, respectively.

The addition of MoS3 nanoparticles into painted coatings enhances the durability of linseed oil-based paintings toward UV ageing regarding the change in colour which confirmed by FTIR analysis. The protection of oil painting opposed to various deterioration factors was developed by involving of MoS3 QDs in the coating of the painting. Antibacterial effect of MoS3 QDs was tested against different types of bacteria such as Pseudomonas aeruginosa confirming that the MoS3 QDs involved in the coatings of oil paintings produces a high protection layer for the paintings against several microbial attacks. In addition, coatings containing MoS3 QDs reduce the accumulation of dirt on oil paintings when subjected to open air for a year.

The novel MoS3 QDs was used to form a protective and transparent coating layer for the oil painting to overcome the deterioration, displays the promising protection and can be applied for different oil paintings.

This paper aims to provide a deeper understanding of the painting techniques, materials used and deterioration phenomena in a thin panel painting. As well as, straightening buckling in a thin panel painting and reinforcement have been used by an auxiliary support system.

This requires using several scientific and analytical techniques to provide a deeper understanding of the painting techniques, materials used, deterioration phenomena and a greater awareness of how well treatment the panel painting is. Visual observation and multispectral imaging (Visible Ultraviolet-induced luminescence, as well as Ultraviolet reflected and Infrared [IR]), optical Microscopy (OM), handheld X-ray fluorescence spectroscopy (XRF), X-ray diffraction, Fourier transform IR spectroscopy (FTIR) and gas chromatography were used in this case study.

The analytical study of a thin panel with different methods allowed defining that the thin panel painting consists of plywood panel, ground layer (white lead and animal glue) and painted layer (lead red, cobaltic black, chrome yellow, Venetian red, iron black and white lead and poppy oil). Also, these determined that a convex buckling was the main form of deterioration. The structure treatment was executed by using a wet compress to straighten the thin panel painting and followed by fixing a new special design of the second auxiliary support system on the back of the thin panel painting.

The importance of analytical study to determine the painting techniques, materials used, deterioration phenomena and how well treatment the panel painting is. As well as, using a wet compress to straightening of warping or buckling wooden panel painting. Also, the Plexiglas second auxiliary support system could use to reinforcement the wooden panel and control the wooden panel movements.